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Good People, Cool Things
Good People, Cool Things

Episode 11 · 1 year ago

Exploring the Creative Process with Monotony: The Musical Creators Sarah Luery and Jared Chance Taylor

ABOUT THIS EPISODE

Working on your own side hustle? This episode, featuring Monotony: The Musical creators Sarah Luery and Jared Chance Taylor, dives into how to find your inspiration and discover the creative process that works best for you. It's really fun to sing along with, as well!

Welcome the good people cool things,the PODCAST, featuring conversations with entrepreneurs, writers musiciansand other creatives Onm, your hoster, we held Anto Day's guests, Oure, SaraLori and jared chance Taylor, creators of monotony, the musical, whichlaunches as a podcast Tuday like you, can listen to it right after thisepisode, we're talking all about putting a project of this half togetherfrom the creative process to finding the time to work on a side Housle whenyou have a full time job. Of course, we've got plenty of musicalrecommendations to check out as well. So, let's dive on it. What was theinspiration behind monotony the musical? I guess it's started about ten yearsago, when I was at probably my first Job Post College- and I remember, likethis phrase just came through my head. This MINONI will be the death of me andI kind of thought end. They wrote it down and I kept kind of playing with itand building upon it, and eventually it became what appeare to be a song fromthe perspective of a specific character, and so I kind of kept working andexcumulating more songs and eventually, I guess I kind of realizedit was. It was musical, but it kind of you know took me by surprise to Ididn't know what I set out to Rigt when I first started: that's fantastic andthen how did you connect with jared to to kind of get the ball rolling, so wemet online? I had just once I had a copy of the script withall the book in lyrics I had started to reach out to composers- and I rememberjust putting a pitch out saying: Hey, I'm looking for music, that's kind ofalong these lines and jared responded he's like I love musicals and so yeah it just it just kind ofhappened that we were connected and I got the opportunity to meet him andreally liked the project, and that was I think, like five years ago.At this point, so we've been working together ever since yeah with there one thing in particular thatdrew you to monotony specifically or was it justkind of the whole idea of it? I mean I ihad read the script. She Sara hadallowed me to read an early copy of the script, and I read it at a time when I had just you know had recently leftschool was done with like schooling and was trying to like you know, make aliving as a creative. You know doing music in La, and this was I don't knowthere was so much about the character, the main character that I related toand thought man. I like really identify with this, and so...

I felt inspired before I even picked upan instrument to write music for it. I was like Oh yeah, I'm Soin, like Iconnect with this, and I was you know immediately sold. It was great. I was think that's what the bestprojects come from right, where it's just that immediate connection, yeah Ohyeah, and I had that. I definitely had that fantastic. So can you kind of take usinto then the process of taking this idea taking the script and then turning itinto an actual musical? What was th the kind of creative process into gettingthat off the ground? Yeah Yeah? No, that's a great question.I you know it was a little intimidating at first, because I think Sarah, Ithink you had been working on the script for a number of years, andhere I am now just the composer coming in and I was ethere were I kind of hadthis pressure on myself of okay, don't ruin it. You know, she's been workingon it for years, and here I come, I'm going to you know, read it and do myown analysis and try to make something of this, and so it I think it took. You know a littlebit to really break the ice and sick my teeth into something that I was happywith musically I mean we had talked about various just musical sources of musicalinspiration. You know, Fiona Apple is a kind of a theme throughout the throughout throughout the story. Sothere's some of her and I mean I was kind of pulling on on stuff. I liked you know I really have a love for kind of older style, musicals kind oflike Sonheim or or Andrew Loyd Webber. Even you know, Leonard Bernstein, andso I kind of wanted to sprinkle some of that in there just because it felt itfelt like it could use a warm touch almost like the way they, those thoseguys would orchestrat. And so you know it was it almost felt likeslow going at first, but once there was like a rhythm it feltkind of felt likethe music road itself, it was just it became natural and it became easy andthe characters felt like friends in a way and so writing music for them felt justnatural in a really nice way. That's awesome and Sarah from the the scriptperspective. I know at least I enjoy you know little kind ofelements of like. Oh I'm Goinna do it: Oh you're,going to eate falaful. Now it's like now I'll, take you out to dinner andjust like little elements as someone. That's in a client facing industry andcommunication, the marketing the elements of like Hey, I deliveredsomething: Thot the client and they're mad. So I have to fix this real, quickand now they're happy. It was this all just just based off F R, real life, ordid you consult with other people when you're putting it together a little mixof both had that I? How did that grow? That's a good question! I feel like tosome extent...

...sort of the same way dear or describedthat it seems like, as the got to know the characters better. The writing came a little bit easierfrom their various perspectives, and so it kind of felt like Ike. I was youknow, hipping away a block of marble to see if I could get to know them better.So I could kind of hear what they were saying. So I'm sure that my ownexperiences have ended up in there, but it also kind of felt like at times Iwas just almost recording. You know conversations that I felt likeI started to be able to hear, and then I would say that jared's music alsohelped immensely. I felt like that just gave the script like a really full lifethat I don't think it had before. I hadheard the music, and I think that also helped me to like go back and get toknow the characters better, because you know it's kind of one thing when youhear them in your own head, but then I felt like jared sort of also understoodthem and helped me see further things. So just us going back and forth togetherand later on, when we went on to do table reads with the actors. It justbecame more and more clear who these people are. Do you have a favoritecharacter, goodness well felt like asking a favorite Cil, I know asked all f the actors to kindof respond like hey. Are you a a herbert or a theo, because I feel likea lot of the characters sort of represent. You know play that facets ofall of us. I would say my favorite characters, probably Herbert, and it'sprobably beecause. You know I like Herbert, run anxious and you know kind of have to get out of my own way,but I think you know that the othercharacters like theof for me is a very aspirational character who I've alwayswished like. I could live, you know bravely and freely and so yeah. I think, there's something aboutall of them that I love hut, Herbert's, probably the oneI most identify with how about you jared? Oh Man, yeah. That's that's definitelya hard one. I think I it's just kind of the way I think I've always been. I justthere's a lot about theo. That is just like. Oh my gosh, that's totally how Iwould like handle this situation or that's totally how I would act in this scenario, and it's like funny. You know until it'slike to a fault and you're like ooh yeah like yeah, I see myself there too,and in some of the not so great things about the character and...

...yeah. I don't know it's just somethingyou kind of have to learn to accept and invite and yeah and laugh at so I definitelyidentify most with Teo. I mean, as far as like a favorite goes. I think, like I think hand, then this is based on just the just the performance and watching it. Ithink it's so entertaining to listen to Mr mcgiver. That presence isjust so funny in any scene, from an entertainment perspective, he'sprobably my favorite to experience very cool, wonderful and Sira. You had. I touched on this thatthe inspiration came about a decade ago and it's been years in the making ofputting this together, and I would imagine at least part of that is thatyou have a fulltime job and jared has several clients that he's working with.So how did you find time to create an entire musical when you're, when you'reworking on other things? I think that's like the ultimate question that I face and that we end upexploring in this as well. So I know for me: The writing ended up getting confinedto a lot of nights and weekends, and a lot of our characters have like akind of similar setup and so there's even like a song that we wrotecalled five to nine, which is essentially implies that you know onceyour day. Job is finished, like that's kind of when you get to. Finally, do you know thething that really makes you tick and of course it's often not the thing thatyou know pays the bells, and so I think you know for a really long time. I struggled with the you know kind of inherent divide withinmyself of on one hand, I you know, need to have a job to pay thebills, and I also enjoy what I do for for work. You know in academic settingsand like Dava analysis, so there is like a facet of me. That's just likevery analytical, and I kind of love doing that stuff and then, like there'sa part of me. That's always wanted to be writing and for a really long time it felt likethose parts were at odds and that you know if I was doing one I couldn't bedoing the other and what I sort of discovered through this writing process,and you know, learning somewhat from the characters- is that it's kind of okay to work from likewhere you're att and to embrace things as they are, and so you know I am like a parttime writer and also anacademic, and you know a bunch of other things and all of those things are fast.As facets of me that...

...you know, I think kind of add to oneanother and make me who I am and so it doesn't, it doesn't feel so at oddsanymore, but certainly you know when it when itcomes kind of putting in the work it just becomes a very long sort ofdisciplined day worker. You know you go to work in the morning and I know I used to bring my latop on thebus and you know use my commute time to be writing and then in the evenings.I'd rite in the weekend, ide right and you know sometimes it feels like a veryisolating and lonely experience, because there's a lot of you knowsocial things that you missed out on and just you know, kind of life opportunities,but in the end, like I'm, okay with thesacrifice, because I'm really happy and feel like, I needed to create thisthing in order to to feel really good. I just need to get this out, so I like that and jared how about youworking on multiple projects at once? How do you prioritize and kind ofdecide? This is what I'm going to be working on now and and while stillgiving attention to everything else that you've got going on yeah. So it's I feel like that'ssomething. I've learned to navigate better with trial and error as likemore time goes by, as I like do this more, you know in my head, there's almostlike there's always been the tirarchy oflike you know it's a spectrum of differentprojects. You might be working on and there's a varying degree of enjoyment.You know, depending on the project, you know some. Some stuff you do is goingto be like you know, it's just sort of like it's a job and you muscle throughand and you do it, but then there are other projects that are just man you enjoy Hem and wand working on it just feels timeless.You know you can kind of get lost in it and this this project, just writing.Music for Monotony, was definitely one of those where it just that like it waseasy to make time, for it was easy to really invest in it. Even in the midstof Juggling, like you know, writing music. For other things. This was justalmost like an escape to just something that, as was like really enjoyable. Iknow there was, like a you know: F there as a period of time, whilewriting music. For this I was doing some like music for these like littlelike kids, educational videos, and they all kind of like sounded the same, and you know after you do like ten of them,they're kind of soul. Sucking you're like like I'm over this, you know, butit was. It would be nice to like leave that and then dedicate timeto like flushing out. Okay like what's...

...what's theos theme, you know like whatcan ring true like what can he sing throughout the musical or what canherbert come back to and Sant. You know like developing musical ideas and inthe context of this story, was just it was such an enjoyable experience, and so I don't know it like the the planetskind of aligned for this it was. It was an easy thing to set aside time towrite music for this project, even in the midst of so much. That leads me tokind of a related question. I think you've both touched on it a little bit and more so I guess with t e theprojects that aren't as Cathartic, and you know it's as fun to kind of diveinto do you have any kind of productivity tips or things that youfound very helpful. Maybe when you are working on II, don't know, I necessarily ifeverything has to be Sol sucking that is really difficult to get through, butjust things that maybe aren't you know, are necessary to get done,but aren't number one on your like heck yeah. I want to do this list yeah it'sit's difficult, because I think when it comes to something that's supposed to be creative, it's hard to like force inspiration tohappen at a schedule. Time sometimes, but I find myself kind of doing that. Imean I'm someone who I've learned this about myself. I have to be like veryorganized and detailed, like okay, like Tuesday morning from like eight am tillike noon, I'm going to work on xproject and then I'm going to take alunch break and then from one to four. That's for this other one. You know soI've kind of learned to just compartmentalize thinking andcreativity with time using time, instead of and sometimes I'll use,space, sometimes I'll, like very, very intentionally, go to a different studioand work on a certain project at a certain studio, and then my headspacecan be there and it doesn't like blend with like working from home orsomething like that, ies that make sense yeah for sure I agree, even justwhen I am working from home, any kind of like if I'm. If I pull my laptop outand kind of like hop on the bed, chances are I'm not Goingto, getanything done, O for Sura and l easily get distracted and yeah. I do think itmakes a difference being in a set environment like right now, I'm in mypodcasting studio. So when I want to do Om things related to podcasting, evenbeyond, recording episodes iill come in here, just because that's the mindset N.my brain goes. Oh I'm in here it's time to get some podcasting stuff done, andI think that does help a lot more than people generally tend to think yeah. Ithink when you especially to if you like, go to college you're used to likethe dorm experience, you do homework into the dorm and then you sleep in thedorm. So it's easy to just kind of blend...

...like work and living into one thing andthen, when you're out of school, you I mean you know your brain without evenrealizing it co be like Yeah Kno. This is I can. I can keep it the same whenlike no the like it's nice to have just like spacial separation of like workand leisure. I think you know that's good, that's good, that you do that.That's awesome! Yeah try to at least sometimes I'm still unproductive in theother rooms, but at least at least a little more sand. Yeah. Oh yeah, well,yeah fantastic! So Sarah, the the musical, is launching as a podcaston tax day. Although now I guess, with the the extended tax day, it's like thefirst round of taxday and then there's also July fifteen. So was this alwaysthe plan to to debut it as a podcast, or did that just kind of come alongduring the process yeah? So up until about a year ago, we were stilldeveloping this as like a traditional stage musical, and you know we had donea number of table reads and I'm not I'm not exactly sure sort of why the inspiration arrived.But I know that some of the feelings behind it werethat, even if we were to have this on thestage, it ends up, having kind of a limited run at you know a local theaterand then that's kind of it, and so we really wanted to create something thateventually could have a life on the stage but would have its firstiteration. You know in a very like public and accessible way, but wethought you know, let's just get it out there. I know I listen to a ton of castalbums like throughout the day during my workday, and so I just thought you know it would bereally cool if we could listen to this musical, that's takesplace it in an office and there's about kind of work. Life Balance. You know ifyou could listen to that, while at your own office or wile, going through yourown day- and you know, we thought this could be kind of a really cool way to get something out.There just allow everyone to hear it, and then you know eventually it couldbe developed for first stage and other medium, but atleast it would kind of be like a proof of concept and be out in the universeand something that people could check outright now and then I guess the you know the timing, an of everything,especially with you know, Corona, and it ended up being- I guess, kind of an interesting time to bereleasing a an audio, only feeter medium. In that you know all thetheaters have closed, and so a lot of the publications that probably initiallywouldn't review. You know off off...

Broadway, which is what we're called started to take interest in us and it.You know that kind of added another layer where it started to feel good,that this thing that we've been working onfor a really long time could ultimately be like the source of entertainment andjoy during really tough times, and also something that you know people canexperience in their own homes, where no, when we're not really supposed tobe outside and out and about so yeah, I guess the the date formellyknown as Tax Day April iftenth of that's been in the works for a while,but it definitely took on, like a whole new Lagor of meeting with everythingthat's going on yeah, I think it's. I know I've just been seeing people askfor podcast recommendations or, like hey. I've never listened to a podcastbefore which always blows my mind to here, but there are many people outthere like that and and just looking for recommendations, and so I think it is a unusual time, but for all the reasons you've talked about,this is a really accessful way to get like a theater quality, musical whilsestill being at home and not having to to risk going out into the wild yeahfor sure good dealing. Of course, both of you lots of you know musical background you're,both fans of musicals, and so this is what I was going to ask anyway, evenbefore you suggested it Sarah. But what are each of yours top three musicals?We can go back and forth. I Sara you can give your your first one firstmajored you can hop in and then we'll have everyone vote at the end and seewho has the better list N. I want to hear yours to Joly, ohoh boy, okay, so my number one kind of always isSunday in the park with George. I love it because it's about you knowthis exact same thing like the worklife balance, being creative andkind of what are the repercussions of devoting yourself to your work? LovelyJared. What's your number one yeah, you took my number one. That's I was goingto say that was my number one yeah honestly that musical was like. SoI don't know it was so helpful for four monotony and for kind of framing framing. You know this musicalmusically, like you know, drew a lot of inspirationfrom it. It's again, yeah work, life, balance being accessible and just the idea ofcommunity, like you know it's just such a good story and mydad's an artist, my dad's, a painter, and I just there's there's so much ofmy dad. I see in George and it's just like. Yes, you know like it's cool,it's super cool yeah. I would pin that as my favorite as well has...

...yeah Fantatali. Oh goodness, yeah feel, like my. My musical knowledge isfar more basic than than both of yours. I am going to say this is perhaps just inspired by my love of esmusic, but I always enjoyed the four seasons andwhen Jersey boys came out getting to go, see that and just kind of see the storyof how they formed and became this massivesuper group. Just like these hooligans from New Jersey, it was I I mean thesoundtrack obviously is phenomenal, thereis a nice little cameo from theangels with my boyfriend's back, obviously not the real singers, but heard the traditional ones. I shouldsay, but I just I thought that was you know a really a really solidsoundtrack, obviously, which is important in any musical, but just aninteresting story too, and getting I never saw it in its Broadwayrun. I believe I saw it in Chicago, but still still a great time, and just theharmonies of the four seasons are always so impressive to me as someonethat is in a band, but is not a greatharmonizer like we're not singing. You know a Capellas tyl, barber shop,portet songs and I'm always like very impressed at people that can justnaturally kind of pick up a harmony and like Joinin, a song like that. So cudaare so nice Ey. So good yeah, good answer. Thank you. Thank you. Ihope T it doesn't go downhill from there all right, sir. What's your number two,my number two is cabaret and I just think that musical is sobrilliant with you know the way that it tells a story completely in metaphorand it's so poignant and so shocking and heartbreaking and yeah it just I've seen it in several differentiterations and every time it just I'm left. You knowcompletely speechless brilliant, brilliant yeah. I love theMC in that in that musical. That's like such aninteresting character, yeah and it's amazing how people play it like reallydifferently. Oh Yeah, I lo E. I love howup for interpretation. They leave ityeah, like so purposefully, ambigous yeah, that's a good answer. My secondfavorite is R, it's so funny because I kind of go back and forth. E'llpriprobably say something different tomorrow, but I really love Jesus Christ superstar. I think that islike. So, Oh, my goodness talk about suchlike a cool disruptive take on something so traditional. I just lovethat, like you've got like Jesus and Judash like just Belton and doing runsfor days like insane, it's so cool. I...

...just like the first time I saw it. I just immediately fell in lovewith it as just like what an what an awesome idea for a musical and theywhat they accomplish with it and just kind of t e, the human drama you knowit between, like specifically between them between likeJesus and Judas, is so like. I don't think you get that from justtaking a peruse for the Bible. So much, but it's just like I don't know it'sthe cool interpretation of the story. I love it. I completely concur. I agreefor like two seconds I was thinking Joseph and the techniclolor dream Coteand I was just like uh and then Isjus Winin. I was like no no totally on thewrong t wrong Bible story, yeah, but stylish, both of them very stylish,very stylish, oh yeah, so good. My. I agree that I feel like if youasked me this like next week that I'd probably have different answers for allof this, but it's the the same with you know: Favorite songs and artist Omus, but my number two just because this isone of the first musicals I remember seeing in a theater. So I don't know ifthis is going NA. This might be cheating, because I don't think Iactually have seen it as a musical but the or at least like a I've, never seen one live, I feel likeI I mean I guess that would be a bootlegcoffey, but maybe I haven't seen it as a musical, but in any case theproducers, which I think is just a very entertaining storyline just of like you know theaccidental, like Naziism, that's just good kind of rampant throughout it. Sojust very, like kind of bizarre sort ofplant. Obviously you know melberts being involved andthe the writing of it is always going tolead to some some weird roundabout little ways of presenting things. So it's on the list to actually go seelife, but that's just one of the the earliest musical memories I have soI've got to include on my list. I recently learned that he like fled. Idon't know if he like fought in World War Two or if he had fled Europe, buthe was like he was involved, and I didn't know thatI didn't. I had no idea. I didn't know that about Melperma, but and then he went on to write that andI'm like. Oh my gosh talk about taking like a traumatic life experience in putting itinto something. I don't know like something like the producers like whatID A. I don't know that just that left a profound effect on me. I was like wow.That's that's interesting. That's incredible! Yeah, Yeah Yeah! Ididn't know that either yeah I o't o all right. So I guess wrapping up thelist. My third, although I became...

...slightly swayed by jared, saying JesusChrist, Super Start, I'm going to say stezler on the roof. I just eevery time. I see this show I'mlike God, snack by how perfect it is, and you know, ow just the way that thethemes like the same theme of tradition, justlike resonates throughout the entire story and all the implications of that,and I remember watching a documentary about musicals, I think, and they 're talkingabout the making of fiddler and how, at first theyrre kind of struggling to pull thewhole thing together and someone was asking them like you know. What is thisabout and they're like? Well, it's about tradition and then so the opening number ended up beingkind of like one of t, the last things that they wrote and I don't know it's just. I just thinkthat is like one of the tight and beautifully told stories. Yeah, that'sa! I love that I love filler on the roof, can't go wrong with that. Can'tgo wrong with that! Yeah Yeah! Third, and finally- Iprobably I don't know my as far as favorite musicals go I'll go with thaman. I love the music and west side story. This you just can't beat thesongs. I think when it just comes to just stuff, that's so memorable andtimeless, and I mean that music just gets stuck in my head all the time withand Ilit's been months since I've listened to any of it or heard any ofthe songs, but I'll just I'l find myself just hummand stuff from it all the time-and I mean it's a great story to, but I think just musically like Oh, my GoshLeonard Bernstin, is Bernstein. Bernstein is incredible, incredible anoas like. I will also I'm going to. This is not my third choice, but I will say,as far as Karaoke performances go out tonight from Ren, I have seen acouple. Different people do like fantasticall. Well, so, if you're everin need of a Karaoke song and you're like it has to be from a musical thatwould be my recommendation. Oh have to see this and joy's an amazing caraogist. Oh YeahSira Sara and have a terrific duet of D twelves, myband that is requested high and low across the land. Yes, Oh my gosh, letme know when the next performance is on there. Yes, I am do another La visit,which will probably be postponed for at least a little bit, but maybe in thefall when it's a little less hot anyway, because it gets I mean if you've everbeen we're going to have shout ut backstage and caller city. It getspretty hot and jampacked in there pretty quickly. So I definitelydefinitely nicer to go nout in the...

...summer. So it's you can step outsideeand at least rejuvenate yourself a little bit totally sign me up. I'm in I'm thereexcellent. We will make it happen. I love it, but my actual number threeanswer: I have to give a shout out to my home town well near I'm town, Ajasonof Chicago, which I think it's just like a kind of an interesting based on a true story. Crime of youknow h the crime that was running rampid in Chicago back in the No' blanking on what whatdecade its Seid in but back in the eighteen S, s there's lots of good. Youknow I shoud anigains going on in Chicago during that time, so that'lthat'll be a nice blanket way to cover it, but I'm also probably a little bitbiased, because this is the musical I've most recently seen during a tripto New York last year and saw that one wanted to see thetemptations one as well. Oh, was all sold out for the days I was thereso devastating, but maybe yeah, maybe next year I'll have a new newreplacement for Jersey Boys. I can justreplay on unred D sixts group withanother dolt battle. Yes, yeah I'll just addthem, but they'll just both begin because you can never have enough onis.I think that would make a good musical just have them duke it out. Yeah. Is that kind of like what pitch perfect? Oh yeah thing they beat US yeah.Absolutely that's funny! I'm always blown away byhow good pitch, like everyone on pritch perfect, is able to just immediatelylike join in on a you know. They have like coreograph dances and the perfect like harmonies, and wheneveryone comes in just like set on these songs that are supposed to becompletely off the cuff, so those are truly the most talented performers inthe work holy cow. That's so true. I also had this idea to do like a awestside story, spoof based off of like spinclass versus like outside cyclists, and I don't know exactly how that wouldgo down. But that's just one thing I thought of like Wallan Swin class thatyeah that would be a fight that would be fierce. I can see it can definitely see it. It's marketablethanks. What side would you be more on Ohman, like probably, unfortunately,the spin class side, which I'm sure is like the actual sharks? You know the actual sharks like. I think that spin class isprobably like the side that we're not...

...supposed to root. For I don't know, I don't know what they're I don't knowwhat the statistics are. Are there more? Are there more spent? Are there morespincyclist than there are actual bicyclists? I feel like in Californiaat least yeah? We have a a biased population, yeah yeah, I don'tknow, go for it run after it yeah it's a good idea. Yeah I like it. I'mon board. I'd probably be more on the the outdoor cycling side, but it's morejust because I feel like I like my but gets more painful in th the spincycleclasses and of dourse. I can like kind of stand up and float down a hill orsomething you're, a classic jet there. It is magical. Well, y'all are almost off thehook, but if people want to find monotony the musical learn more aboutit, where can I go? Well? They coal good to monotony the musicalcom and we're also on instagram same handle, manonny the musical and thenyou can actually subscribe to is right. Now we have like a thirty second teaserRup. If you go to your favorite podcast APP just search for Manot Monotony, Othe musical there's a colon in there, which may or may not be needed- I'm notsure but yeah you can subscribe now and then comeApril. Fifteenth Wil magically appear in your feet. That is the most magical thing. When Iget a new podcast episode. Yes, awesome well, Sara and jared. Thank youso much for taking the time to hop on here and chat all things monotony andmusicals yeah. Thank you! Joey! It's been awesome. Ting! Let show you forhaving us, of course, and as a stut listener in this podcast. Now I alwayslike to end with a Corny joke, and so let's make it I it's not a it's, notreally musical themed, but it's music themed at least- and I just heard itthe other day- and I thought it would be fun fo Shure here, but why did thepirate buy a Pavaradi album because he loved the high seas good after thedaypeople? Oh, my Gosh E. I'm going to use that so good I'll credit. You! I don't need the credit TSGO for go!He's like I don't want to be a Sosane with that.

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